Combining a breakthrough processor and new ARC 4 software for incredibly natural and transparent sound, and better mixes right from the start
February 22, 2024 – IK Multimedia releases ARC Studio, a unique out-of-the-box hardware acoustic room correction system that instantly upgrades traditional studio monitors with breathtaking results. There’s a reason all of today’s top-tier studio monitors include active room correction – it vastly enhances their performance and ensures that mixes translate flawlessly.
ARC Studio offers this same massive boost in performance and accuracy to any monitor in every studio. The system includes a standalone hardware processor; new ARC 4 software (also available separately) for analyzing and correcting the listening environment with additional controls; and a precision MEMS measurement microphone. For the first time in the recording industry, an affordable hardware processor can be used as a correction and calibration system for any type of studio – be it home, project or professional – without the limitations of a software-only system.
Improves Mixing Accuracy
Rooms have a big impact on how music is heard. The size, shape, materials, and furniture
all work to distort the frequency and stereo balance of studio monitors, degrading their
sound. ARC 4’s all-new algorithm analyzes and corrects these issues in minutes. The music snaps into focus with more controlled low-end, tighter transients and pinpoint stereo imaging. It’s like an instant upgrade for monitors, leading their users to mix faster and more confidently than ever.
Installs in Minutes
With the included mic connected to an audio interface, ARC 4 software guides the user through a rapid process of measuring acoustical responses within their listening position. IK’s award-winning ARC technology uses this 3D snapshot to identify and completely correct all the problematic issues degrading a monitor’s performance. ARC 4 stores the correction profile and loads it to the ARC Studio processor, sitting invisibly between the interface and monitors to apply to all incoming signals. The standalone processor corrects studio monitors in any studio, including hardware- and console-based setups.
Corrects Any Studio
For pro studios, whether DAW-based or console-based, ARC Studio with ARC 4 offers sonically transparent correction and custom-tuning for any monitoring setup from nearfields to mains, preserving the inherent system’s sonic quality. For DAW-based studios, ARC Studio eliminates the need to insert the ARC 4 plug-in on the master bus of a project and preserves zero-latency monitoring setups. Plus, it allows users to listen to their preferred streaming service with acoustically corrected monitoring without messing around with system drivers. Using ARC 4, profiles can be created and stored for every configuration, listening position or even monitor pair and quickly recalled or loaded to the processor unit at any time. Whether in a makeshift studio or a world-class one, fine-tuning the monitoring perfectly to taste is no longer a challenge and has never sounded so good.
And not only is the ARC Studio hardware designed and made in Italy to the highest precision and quality standards, but its clever engineering makes it extremely affordable and it is available at a fraction of the cost of other hardware solutions. Now everyone can dramatically improve the sound in their mixing environments: from a single pair of monitors to multiple monitoring systems, up to large facilities with multiple mixing and recording rooms.
Audiophile Performance
ARC Studio features a 120 dB(A) analog input to analog output dynamic range, 0.5 Hz to 40 kHz frequency response, and ultra-stable clocking for vanishing low jitter, offering total sonic transparency and accuracy only found in mastering-grade audio converters. The processor unit connects to the studio and monitors via balanced XLRs with a power-safe relay-based hard bypass – so when bypassed everything is protected from sudden power related pops. Between the premium audio quality of ARC Studio and ARC 4’s all-new correction algorithm, the result is the most natural, transparent monitoring ever.
Includes Monitor Emulations
ARC Studio can be reloaded instantly with new settings using ARC 4 software. ARC 4 now features a monitor emulation function that turns any monitor system into iconic studio monitors, plus popular hi-fi speakers and mobile devices, with breathtakingly true-to-life results, accurately reproducing the frequency and phase response of the originals. With over 20 profiles included in ARC 4, a single pair of monitors now lets users test a mix on different reference systems quickly, without ever having to head to the car or buy additional pairs of monitors.
System Customization
ARC 4 now comes with 9 factory-tailored target curves suitable for most situations. The default curve offers optimally balanced results with Flat and other specific curves for different needs or setups. By default, ARC corrects the entire frequency spectrum, but users can define limits to both upper and lower correction ranges separately. This is useful to preserve monitors’ unique voicing or correct a certain frequency range. There’s also a control to adjust the resolution of the correction filter to use more or fewer frequency bands. Depending on the room’s unique sound, this can achieve a more surgical correction, or a broader, smoother balance.
Selectable Natural and Linear phase modes ensure precise stereo imaging. Natural mode improves the phase response, while linear phase maintains the original inter-channel phase response, which may be preferable in certain rooms and conditions. With ARC Studio, users will experience limitless flexibility as their studios grow and evolve.
Pricing and Availability
ARC Studio and ARC 4 software are shipping now and available from the IK Multimedia online store and IK authorized dealers worldwide:
● ARC Studio $/€299.99* – Includes processor unit, ARC 4 software, and measurement mic.
● ARC Studio Upgrade $/€249.99 – For registered users of ARC (any version with mic), iLoud MTM, or iLoud Precision. Includes processor unit + ARC 4 software. Measurement mic not included.
● ARC 4 Software and Mic $/€199.99 – Advanced room correction plug-in, and measurement mic.
● ARC 4 Software Only $/€149.99 – Advanced room correction plug-in. Measurement mic not included.
*Pricing excludes taxes.
For more information about ARC Studio or to see it in action, please visit:
www.ikmultimedia.com/arcstudio
www.ikmultimedia.com/arcstudio/video
About IK Multimedia: IK Multimedia is a leading innovator in guitar, instrument, and recording technologies that help millions of users sound better in the studio, on the go, or on the stage. Any names, trademarks, or trade names should not be construed as an endorsement, association, or affiliation with IK Multimedia. All other trademarks are the property of their respective owners.
SPITFIRE SYMPHONY ORCHESTRA
Behind award-winning composers… are world-class musicians
An all-encompassing orchestral toolkit with the addition of Percussion, Harp and Piano, at a new price
London, February 22nd, 2024 – Spitfire Audio, the world’s leading creator of sounds and high-quality sample libraries for music makers, announces the relaunch of Spitfire Symphony Orchestra (“SSO“).
Originally captured a decade ago in the state-of-the-art space of Lyndhurst Hall (also known as “The Hall”) in AIR Studios – founded by legendary producer of The Beatles and Oscar-nominated composer, Sir George Martin and known for its exceptional acoustics – and crafted by Spitfire Audio’s team of expert in-house creatives over a period of five years, SSO is recognized as the fundamental choice for the professional-tier composer and heralded by a multitude of AAA music makers worldwide.
Performed by London’s first-call orchestral players, the newly enhanced SSO sample library features a revolutionary legato programming transformation that has been created by Andrew Blaney, introducing a new level of expressiveness and realism. Composers can now attain seamless and emotive transitions between notes, skillfully capturing the subtleties of a live orchestral performance with exceptional precision.
In addition, SSO will now incorporate Percussion, Woods, Winds, Strings, Harp, and Piano. This new consolidation ensures an even richer orchestral experience, allowing composers to easily harness the power of a full symphony orchestra.
Spitfire Audio has also diligently addressed reported issues over the past few years, implementing comprehensive bug fixes to ensure optimal performance and stability. The commitment to refining the user experience underscores Spitfire Audio’s dedication to providing music makers with a reliable and inspiring toolset.
Recognizing the importance of a visually intuitive and artistically inspiring interface, the “Enhanced Edition” showcases a new and consistent Kontakt 7 UI. It offers a sleek, modern design to enhance user experience, reflecting Spitfire Audio’s commitment to pushing creative boundaries, whilst also prioritizing functionality.
Paul Thomson, Spitfire Audio’s Co-Founder, expresses his excitement about the SSO relaunch, stating, “Our aim is to not just meet but exceed the expectations of composers. With this comprehensive relaunch, we are confident that SSO will continue to be a top choice amongst the world’s most successful composers, offering a rich and immersive orchestral experience.”
One of the special aspects of Spitfire Audio’s approach is its use of unique studio spaces and unconventional locations – choosing spaces with historical significance and distinctive character (such as AIR Studios) that contribute to the authenticity and variety of the sampled instruments.
Spitfire Audio embraces the imperfections and quirks of each recording space and its sound, capturing the nuances and idiosyncrasies of the environment in which the recordings take place, and if there is any single product that encompasses the very core ethos of Spitfire Audio, it is SSO.
Thomson adds, “There’s something truly unique about the sound in AIR Studios. The players recorded on the sessions performed at the peak of their abilities and as a result, the samples are absolutely stunning. It’s a timeless experience that we are continually nurturing – we’ve reimagined the legato programming, introduced a new, better user interface, and removed bugs, all while maintaining exceptional quality, ease of use and affordability. The result is a cohesive orchestral toolkit that is even more exciting now than it was when it was created a decade ago.”
SSO KEY FEATURES
A complete Orchestra
PRESS PREVIEW [STRICTLY PRIVATE, DO NOT SHARE]
PREMIERE YOUTUBE LINK: [live at 5pm GMT on release day]
SSO AVAILABILITY & PRICING
Product link: https://www.spitfireaudio.com/spitfire-symphony-orchestra
Available: February 22nd, 2024, at 5pm GMT
Price: £499 / $629 / €569 *
* 20% discount from February 22nd to March 7th, 2024
** Crossgrade options available – please head to the website
Founded in 1970 by the legendary producer of The Beatles Sir George Martin, AIR Studios has delivered the Oscar, Golden Globe, Grammy and BAFTA-winning and nominated scores for Atonement, Phantom Thread, Interstellar, Grand Budapest Hotel, All Quiet On The Western Front, and countless recent film and TV productions, including Wonka, Saltburn, Maestro, The Crown, The Whale, and Stranger Things. And as well as being a recording mecca for composers around the world, the studios have hosted recording and mixing sessions for an array of bands and artists including Adele, Coldplay, Billie Eilish, Dua Lipa, Little Simz, Muse, Paul McCartney, and Radiohead.
Alongside the studios, AIR broadens its services through their mastering facilities, and representation of composers, producers, engineers and mixers.
Spitfire Audio is the leading creator of sounds and sample libraries for music makers, uniting pioneering artists with pioneering sounds and music technology.
Partnering with outstanding affiliates including the world’s most exceptional composers and musicians, celebrated recording studios, Abbey Road and AIR Studios, and the renowned BBC Symphony Orchestra, has cemented Spitfire Audio’s global reputation as the premier music sound library company.
Spitfire Audio records and curates the best sounding virtual instruments, utilizing in-house developed music technology and advanced software devices.
Collaborations with a diverse and eclectic set of award-winning composers and artists range from global icon Hans Zimmer, Iceland’s innovative artist composer Ólafur Arnalds, GRAMMY® Award winning choral composer Eric Whitacre, German/Turkish ethereal pop composer Alev Lenz, influential British producer Trevor Horn and Scotland’s ground-breaking percussionist Dame Evelyn Glennie through to GRAMMY® Award winning artists including Queen’s Roger Taylor, Red Hot Chili Peppers’ Chad Smith, to Nine Inch Nails keyboardist and film composer Charlie Clouser.
Music makers around the globe use Spitfire Audio products in their compositions and through their phenomenal work, research suggests that a major percentage of composers use Spitfire Audio products in their journey to scoring films and projects, including those who have been nominated for and have won Oscar, Emmy, BAFTA, GRAMMY® or César Awards.
After releasing their sough-after Signature Series libraries Woodchester Piano with Bleeding Fingers composer James Everingham, and Petrichor with Dan Keen, Fracture Sounds are now releasing their third collaboration- Trails with composer and violinist Alexander Parsons.
Trails is a feature-rich library of string textures, layered synths, a rare Dulcichord tabletop piano, and granular synthesis that combines all of the samples from across the acoustic and electronic instruments found in the library. It represents the sonic palette Alexander Parsons often reaches for, preferring to start from scratch when composing a new piece of music and using the tools at his disposal to inspire his works.
The name Trails emanates from the string textures that often linger in the background of Alexander’s music. The solo
string textures play an important role in the fabrication of the library, with Parsons showcasing his talents on the violin, providing long textures and short ricochets. He invited friend and frequent collaborator Joe Zeitlin to
record the cello samples, and their ability to connect through music is prominent in the combined strings patch Fracture Sounds has provided in the library.
Alexander has also provided samples of his very rare Dulcichord. This single-stringed tabletop piano delivers brightness and clarity to the overall dark sonic world of the synths and brand-new Granular engine the team at Fracture Sounds have put together.
Overall, the library captures the essence of a sonic palette Alexander Parsons has developed over his many years as a professional composer and performer and is sure to inspire a wide range of compositions.
Save 30% when you purchase Trails during the intro pricing period, or
save 30% on all three of Fracture Sounds Signature Libraries until
Thursday.
SHATTERFORD, UK: after stealing the show at SynthFest 2023 in Sheffield, UK on October 7, 2023 with a successful showcase soft-launch that opened eyes and ears to its maximal size and sound, British boutique electronic instruments innovator Analogue Solutions is proud to announce that it has sold out of the first batch of its Maximus AS300 — announced as a ‘filmic’ mega-polysynth produced by company founder Tom Carpenter to a design ethos that truly draws its inspiration from the dawn of analogue synths, yet is so much more than a polysynth or even a powerful analogue ‘workstation’ since it includes independent controls for each of its eight voices to provide more freedom to unleash unique styles of polyphonic sounds that traditional ‘flat-panelled’ polysynths simply cannot create, not forgetting that it is, after all, also art, architecture, and even exquisite studio furniture fabricated into a high-quality-constructed synthesiser, the likes of which surely only comes around once in a decade or, possibly, a generation — and orders for the next batch are already being directly taken for upcoming shipment slots, as of February 16…
Diminutive dimensions definitely do not apply to the main unit of the STEREO 16 VCO / 8 VOICE POLY SYNTH that is Analogue Solutions’ no-expense-spared Maximus AS300, as evidenced by its three eye-catching, snow-white-coloured, solid metal panels perfectly wrapped in a contrasting black solid hardwood enclosure measuring 947 mm (W) x 435 mm (D) x 1060 mm (H) — hence its apt naming! Needless to say, said unit packs a maximal sonic punch, which is hardly surprising since each of its eight identical voices provide the following — eye- and ear-opening — features replicated across two of those panels that literally leave nothing to the imagination: two analogue VOLTAGE CONTROLLED OSCILLATORS, tuneable using a multi-turn TUNE FREQUENCY vernier dial, plus a DETUNE control (for VCO 2), PORTAMENTO, KEY/MIDI CV (control voltage) OFF and ON switch, and generous pitch modulation options (including from external CV); audio MIXER (including external audio input and analogue — white — NOISE generator); analogue SEM-style VOLTAGE CONTROLLED MULTIMODE FILTER, featuring HIGH PASS, BAND PASS, and LOW PASS types, versatile CUT-OFF MODULATION options, plus CUTOFF and RESONANCE controls; 16-step mini-SEQUENCER offering pitch and filter cutoff sequencing and ONE-SHOT trigger mode; ENVELOPE MODULATION with dual ADSR (Attack, Decay, Sustain, Release) and several triggering options; VCA (Voltage Controlled Amplifier) with VELOCITY dynamics and separate AUDIO OUT; lo-fi ECHO and delay unit; and last, but by no means least, a healthy implementation of audio and CV I/O connections.
Creativity clearly knows no bounds as those eight voices can be individually programmed since they are each essentially complex dual-VCO (Voltage Controlled Oscillator) analogue synths in their own right. Reality dictates that they can all be programmed pretty much the same so that they each produce a similar sound — albeit not quite identical, due to their individual nature that actually adds to the overall sound character — or they can be programmed completely differently from each other to create more unusual polyphonic sounds. Speaking of which, Maximus AS300 does not have patch memories — just like the first generation of analogue polysynths, so every sound created will be unique. Ultimately, Maximus AS300 is more than capable of producing traditional ‘pads’ but it is better suited to creating unorthodox polyphonic sounds. Saying that, it also excels at unusual analogue loops and rhythms when played in a cyclic mode — setting each voice to a different type of sound results in interesting patterns when cycling through them, in other words.
Those two panels (each featuring VOICE 1, VOICE 2, VOICE 3, and VOICE 4) are complimented by a lower-positioned third, the so-called master panel, which is where global modulation (applying to all voices), global sequencer control, keyboard and MIDI setup, final audio mixing, stereo reverb, and master outputs are all dealt with via specific sections — namely, MASTER OFFSET (to control three parameters on all voices: PITCH, changes the pitch/tuning of every oscillator on all voices; DETUNE, detunes the second oscillator on every voice; and CUTOFF, changes the cutoff frequency of every voice filter); MULT (splits CV signals); LOW FREQUENCY MODULATION & EXTERNAL CONTROL (featuring three different Low Frequency Oscillators — LFO1 being differentiated from LFO2 by having a DELAY feature, for example, while LFO3 is independent and has to be patched in; GLOBAL CONTROL offers additional CV inputs for modulating those VOICE parameters, controlling all voices); MIDI & SEQUENCE CONTROL (for setting MIDI channels, controlling the mini-SEQUENCER, keyboard modes, and some I/Os for clocking and control); eight-channel STEREO VOICE MIXER (for mixing each VOICE, providing control over their levels and stereo spread via a dedicated LEVEL fader and PAN pot — so much better than the fixed relative levels and often mono signals found in other analogue polysynths); and STEREO REVERB / OUTPUT (featuring two triple-spring real-spring reverbs — the self-explanatory SPRING L and SPRING R — wired in series after the STEREO VOICE MIXER, alongside a MASTER level control for the two stereo output jacks on the rear panel and a PHONES level control for the stereo headphones jack).
And as if all that was not enough to be getting on with, Analogue Solutions also offer an accompanying AS400 TOUCH / KEYBOARD CONTROLLER. Custom designed specifically for Maximus AS300 as an optional keyboard, it includes 61 full-size, weighted keys with velocity aftertouch and a 64-pad touch controller that can also be split into 32 pads, plus some neat CV modulators. Musically, it will transmit note and velocity information via Maximus AS300’s MIDI Out connection, while the TOUCH PADS and AFTERTOUCH outputs are analogue and do not transmit MIDI.
Making (electronic) music is, of course, what this — and, indeed, Analogue Solutions itself — is all about… and all that is left to say here is: all hail Maximus!
Analogue Solutions is directly taking orders for the next batch of its Maximus AS300 STEREO 16 VCO / 8 VOICE POLY SYNTH (expected to ship at the end of November 2024) — priced at £22,500.00 GBP (excluding crate, shipping, and tax, all if applicable) — via its dedicated webpage, which also includes more in-depth information, here: https://www.analoguesolutions.com/pagemm (An accompanying AS400 TOUCH / KEYBOARD CONTROLLER is optionally available to order directly from Analogue Solutions for an additional £1,900.00 GBP.)
Watch Analogue Solutions showcasing Maximus AS300 with several superb sound demos here:
About Analogue Solutions (www.analoguesolutions.com)
Analogue Solutions is a UK-based boutique electronic instruments innovator that specialises in true analogue synthesizers, sequencers, and Eurorack modules. More than 25 years experience in the industry means that it was right there at the start of the Eurorack revolution — the third company to start producing modules, in fact. Furthermore, Analogue Solutions products are all hand built in England — many being tested by founder Tom Carpenter himself, who has hands-on involvement in all aspects of the company. Characterful to boot, Analogue Solutions’ innovative instruments are applauded for proudly possessing a truly vintage sound — synthesizers featuring fully-analogue audio paths with analogue LFOs (Low Frequency Oscillators) and EGs (Envelope Generators) are the order of the day here. Having no memories means that nothing is being made to sound sterile by CPU (Central Processing Unit) control; conversely, turning a knob directly changes the voltage or current in an actual synth circuit to audible affect. As implied by name, Analogue Solutions consistently constitutes proof of Tom Carpenter’s genuine passion for analogue synths, drawing upon his years of owning and using vintage analogue synths and drum machines that he still uses in his own music productions… alongside Analogue Solutions products, predictably. Put it this way: with its present-day music electronics for electronic musician’s mantra ringing true as always, Analogue Solutions has certainly come a long way with its boutique electronic instrument innovations!
© 2024 Analogue Solutions (UK) Ltd
In collaboration with MESA/Boogie, TONEX captures 5 one-of-a-kind ampsthat chart the course of MESA’s 50-year history shaping modern guitar tone
The MESA/Boogie Reference Signature Collection features 5 iconic amplifiers including an exact recreation of Carlos Santana’s original “Budokan” Mark I. Carefully preserved in MESA’s Tone Lab, these “reference amps” are essential to maintaining historical accuracy, while providing invaluable insights to shape future designs and guide the MESA legacy forward.
All 5 amps were fine-tuned to their sweet spots by legendary “Tone Boy” Doug West, MESA’s in-house tone guru for over 40 years, in a range of styles. Meticulously captured with IK’s Advanced AI Machine Modeling at a world-class studio in Northern California, the results are an unparalleled collection that IK is proud to present today.
Collection Overview
What Makes a Reference Amplifier?
A reference amplifier epitomizes sonic excellence, embodying the essence of its unique design and sound. They aren’t prototypes, but production models that were recognized as being exceptional, and then were meticulously scrutinized component by component to unlock the secrets of their sonic brilliance. These amplifiers perfectly represent the Series and are the gold standard for their model and sound, as well as for shaping the sound of potential future amplifier designs.
The Reference Cabs
Two notable reference cabs were used to capture the thick rich tone of the 4 MESA reference amps. These cabinets have been used by Randall and Doug over several decades and offer a unique “broken in” experience that’s smooth, dynamic and touch-sensitive. The King Snake combo is loaded with a Jenson Blackbird 100 Alnico for a warm, clean and singing vocal-like quality when turned up.
Doug West, the “Tone Boy”
Doug joined MESA in 1981 as a Sales/Product Specialist, swiftly earning the nickname “Tone Boy” for his collaboration with Randall Smith in R&D. With a deep passion for guitar tone and a rich history in the Bay Area music scene, Doug ensures every Boogie® product resonates with soul and excellence. He played an integral role in capturing the MESA/Boogie Tone Models and his ear, passion and insistence on “vibe and feel” were critical in the creation of the models represented in this truly unique collection.
The Featured Models
1984 Boogie® MARK IIC+™
The MESA/Boogie Mark IIC+ is revered by guitarists for its legendary tone, versatility and build quality. It has left a significant mark on the world of guitar amplification and continues to be sought-after by musicians seeking iconic rock and metal tones. This Mark IIC+ Reference amp is the embodiment of the Mark II sound, an amp that has graced the fingers of many top artists and studio players. Includes 14 Tone Models: 9 with cab, 5 without.
Early ’90s Boogie® Mark IV™
The Mark IV Reference amp is a very special amp with a slightly thicker lead tone than the Mark IIC+. It’s been used by countless professional guitarists across a wide range of genres. Its distinctive tone and versatility have made it a staple in studios and on stages around the world. It has also influenced the design of countless other amplifiers, cementing its place in the pantheon of iconic guitar gear. Includes 10 Tone Models: 7 with cab, 3 without.
Early ’90s MESA Engineering® DUAL RECTIFIER® (2 channel)
This early ’90s MESA/Boogie Dual Rectifier is an iconic 2-channel guitar amplifier known for its immense, rock tone and high-gain capabilities. The Dual Rectifier changed the sound of rock with its thick gain layers favored by many metal bands such as Metallica and Tool and ruled rock radio for well over a decade after its release in the early ’90s. It remains a staple in heavy rock and metal music. Includes 9 Tone Models: 6 with cab, 3 without.
Early ’90s MESA Engineering® TRIPLE RECTIFIER® (2 channel)
This early MESA/Boogie Triple Rectifier is another legendary 2-channel guitar amplifier renowned for its authority, tight low end and layers of harmonically rich overdrive. The Triple Rec takes the Rectifier sound even further toward bombastic via its bigger power section boasting 6x6L6s and is well-hunted for its giant sound and stop-on-a-dime dynamics, being ever-popular among hard rock and metal guitarists. Includes 25 Tone Models: 16 with cab, 9 without.
Boogie® Limited Edition King Snake™
This limited-edition King Snake™ is an exact recreation of the original MESA/Boogie amp Carlos Santana Mark I toured with in the early ’70s. With only 600 examples produced, this amp was designed to be a single-channel tone monster delivering the iconic Latin rock tones heard on countless records and stages and reproducing the electrifying energy of Santana’s historic performance at the legendary Budokan arena. Includes 12 Tone Models: 8 with cab, 4 without.
The MESA/Boogie Reference Signature Collection is a unique opportunity to experience the sound and feel of rare amplifiers built with components and transformers no longer available. Whether it’s with the volume down for pristine clean tones, or cranked up to unleash crushing metal tones, playing these amps is a must for any MESA/Boogie fan.
Pricing and Availability
MESA/Boogie Reference Signature Collection is available now to purchase via ToneNET and within any version of TONEX for Mac/PC for $/€99.99*. It is also available from the IK Multimedia online store and from IK authorized dealers worldwide.
*Pricing excluding taxes.
For more information about MESA/Boogie Reference Signature Collection and to hear the tones, please visit:
www.ikmultimedia.com/tonex-
www.ikmultimedia.com/tonex-
UVI release Aurora, a modern-oriented concert grand piano with rich emotive textures and atmosphere, available now with special intro pricing.
Paris, February 15th, 2024 – UVI release Aurora, a modern-oriented piano that reinforces the concert grand’s powerful tonal signature with a wide range of curated textures and atmospheres for a completely new, and uniquely expressive experience. Rich with emotion and deep with creative possibility, Aurora offers an inspiring, and distinctly modern interpretation of the piano, allowing users to explore the sonic interplay of 3 unique voices, internal modulation, and an all-new semi-modular effects engine. From delicate to brooding and atmospheric, Aurora is a versatile and emotive instrument, rich with detail and ripe for exploration. Aurora is available now, with a special introductory price of $79 / 79€ and crossgrade pricing of $39 / 39€, available through February 25th, 2024 (regularly $129 / 129€).
Aurora’s piano sound is based on a world-class concert grand recorded at the renowned Guillaume Tell sound stage in Paris. The meticulous multi-sampling and attention to detail in the recording process is matched with sophisticated scripting and DSP, resulting in an incredibly realistic playing experience, accurately relaying the most subtle and nuanced performances. From there a curated selection of textures and atmospheres are threaded together to create rich new sonic tapestries. Explore dozens of unique sounds from categories including Attack, Keys, Machines, Material, Nature, Orchestra, Electronic, World, and more.
Aurora’s creative architecture features deep internal modulation, allowing you to quickly and precisely add movement throughout your patch, while an all-new semi-modular effect engine helps you stir the ether to find inspiring new destinations. One-knob macro effects on the main page help you quickly dial in Color, Dynamics, Mute, and Intensity, as you explore an incredible selection of factory presets with unique sonic visions from the sound designers at UVI, and some of today’s most innovative piano artists, including: Julia Gjertsen, Ben Crosland, Akira Kosemura, Joe Kirby, Ole-Bjørn Talstad, Arvid Holst, and Dustin O’Halloran. Discover new inspirations, tweak to taste, or craft your own from scratch.
Aurora offers native 64-bit standalone operation by way of Falcon or the free UVI Workstation, providing comprehensive support for all modern DAWs and simultaneous authorization on up to 3 computers or iLok keys.
PRICING AND AVAILABILITY
Aurora is available immediately with a special introductory price of $79 / 79€, with crossgrade pricing of $39 / 39€ for users of Austrian Grand, now through February 25th, 2024 (regularly $129 / 129€)
ADDITIONAL PRODUCT INFORMATION
http://www.uvi.net/aurora
Cherry Audio, a leading developer of music software for professional and amateur musicians, is delighted to announce the release of its first virtual drum instrument, the CR-78 drum machine. CR-78 is based on the 1978 analog rhythm box popularized by Blondie, Phil Collins, Hall & Oates, and others and brings those iconic beats and tones into the modern era with groundbreaking enhancements.
Cherry Audio’s dedication to authenticity and innovation shines through its easy-to-use three-panel user interface. CR-78 accurately replicates the familiar faceplate with all of its classic analog sounds and patterns, then elevates the experience by adding straightforward 16- or 24-step X0X-style programming for all sounds, a user-friendly song mode for pattern chaining and looping, new features like swing and velocity, and a specially curated library with over 250 additional sound and beat presets.
Cherry Audio’s CR-78 can be played standalone and includes versatile plug-in options loaded with DAW-friendly features such as auto-sync, individual outs, and complete automation. An ingenious drag-and-drop export function allows simple conversion of CR-78 patterns to DAW MIDI tracks in the plug-in version or as standard MIDI files directly to the desktop in the standalone version.
Go beyond the main panel, and CR-78’s expanded feature set far transcends the original hardware. Unlike sample-based instruments, Cherry Audio has precisely emulated the original’s tones through modeled synthesis, and a dedicated voice edit panel enables extensive instrument parameter editing for sonic and melodic possibilities that surpass what was possible with the original. The inventive effects and mixer panel furnishes discrete level, pan, and mute/solo; studio-quality overdrive, flanger, delay, and gated reverb effects with convenient effects send buttons for each instrument; and a master compressor and a six-band graphic EQ.
Cherry Audio’s CR-78 has been designed to thrill seasoned and emerging music producers by going deep inside the box to provide the ultimate outside-the-box experience. “It sounds great, and I’ll be spending a lot of time with this,” praised Greg Hawkes (keyboardist and founding member of The Cars), who provided the original CR-78 used to model this virtual instrument. “Cherry Audio has done an awesome job, and I’m proud to be a facilitator.”
CR-78 includes 250 professionally designed sound and pattern presets that take it from mild to wild, including song mode presets, instrument kits aimed at select music genres, and extraordinary melodic presets that utilize pitch tuning and effects to create harmonious accompaniment along with the beats. Even more extraordinary sounds are available in the Compu-Rhythms for CR-78 Preset Pack (sold separately), featuring 100 more presets by talented sound artists James Dyson, Huston Singletary, and Agent Method that go even further “outside of the box” using CR-78’s advanced Voice Edit, Effects, and pattern chaining techniques.
Cherry Audio is thrilled to make its first virtual drum machine instrument available at the extraordinarily low price of only $49 (list $69). The CR-78 drum machine is now available from cherryaudio.com and authorized resellers worldwide. CR-78 includes AU, VST, VST3, AAX, and standalone formats for Windows (7 or above, including Windows 11) and macOS (10.13 and above), with native support for Apple Silicon. A free 30-day demo is available. Visit cherryaudio.com for additional product details, system requirements, videos, and an extensive collection of awe-inspiring sound demos.
London, February 6th, 2024 – Rising composer and multi-instrumentalist Aska Matsumiya (After Yang, Betty, Fastest Woman On Earth) joins forces with Spitfire Audio, the world’s leading creator of sounds and sample libraries for music makers, to unveil a new sample library called Crystal Bowls, in a community-driven release.
It’s a distinctive collection of instruments that captures the ethereal and resonant tones of crystal bowls, tuning forks and percussion, meticulously curated and designed to inspire composers, producers, and musicians alike.
Matsumiya, celebrated for her distinguishing musical contributions to film, television, and the wider artistic landscape, has brought her signature touch to Crystal Bowls, infusing it with a delicate balance of organic warmth and avant-garde beauty. The collaboration with Spitfire Audio marks a notable moment in the world of sound design and production.
Conversations around a potential collaboration started two years ago, when Leo Wyatt, Product Manager at Spitfire Audio, was introduced to Matsumiya via the live agency, ATC. It was during these early discussions that a vision began to take shape.
Wyatt shares, “Aska and I were introduced two years ago. She had a brilliant idea to record crystal bowls in an unconventional setting. We found a beautiful space in a contemporary chapel, for an unexpected contemporary sound, and I am thrilled to finally bring our vision to life through Crystal Bowls.”
Matsumiya adds, “I wanted to choose a space which would capture the round sound waves produced by the crystal bowl in the purest way so the soundwave wouldn’t get disrupted. Using mallets, brushes and bows gave us a wide range of unique textures that I think could be used in many different ways and genres of music and projects.”
Captured within the expansive acoustics of Round Chapel, an architecturally distinct Grade II listed chapel in the heart of Hackney in London, renowned for its unconventional shape and cast-iron columns, the recording session benefitted from a pronounced reverb.
The team skillfully recorded a combination of meditative and new-age crystal bowls along with tuning forks, utilizing a variety of traditional mallets as well as a selection of modern drumsticks and brushes. This innovative approach in the unique acoustic setting broadened the sonic capabilities of the instrument, moving beyond the conventional realm of prolonged, resonant tones to include more percussive and short sounds. This expansion in playing styles will enable users of all proficiency levels to seamlessly transition between these diverse sound characteristics.
Crystal bowls, typically associated with new age, meditative, or healing music, have often been considered functional in nature. “The intense vibrations and physical reactions to their sound feels like a magical cross between a synthesizer and an other-worldly instrument” says Matsumiya. The focus of the Crystal Bowls collaboration was to embody distinctive sounds, allowing individuals to incorporate these unconventional and contemporary tones into compositional contexts. With a sound closely resembling a raw sine wave, the virtual instrument possesses a unique character, easily adaptable into any shape.
LISTEN TO DEMOS BELOW:
Having already used crystal bowl sounds to score films and for sound installations, and always looking for and exploring different ways to create and process sounds, Matsumiya hopes that the wide range of individual audio textures in Crystal Bowls will provide music makers with the tools to write atmospheric and ethereal music for all genres and outlets.
Matsumiya traces this experimental approach to music to her teenage years, when she dropped out of art school to go touring with punk bands; “I found freedom in punk because I didn’t realise how much I felt suppressed by classical music – even though I love it.” This renegade approach would imbue Matsumiya with the freedom to go beyond the formal constraints of classical music. Today, Matsumiya comfortably embraces the challenge of pushing beyond traditional boundaries, explaining, “My creative process is always changing as there’s just no rules or set ways and that’s why I feel infinite freedom in the space of creating and making music.”
Offered in an elegant and user-friendly interface that empowers music makers to explore and shape the sounds with ease, and intuitive controls to ensure that both seasoned professionals and newcomers can unlock the full potential of the sample library, the result is an ever-evolving virtual instrument that not only showcases exceptional sound quality but also embodies Matsumiya’s vibrant creative spirit.
Wyatt concludes, “This collaboration showcases the incredible talent within our community. The release exemplifies our commitment to pushing the boundaries in sound and space, and to provide music makers with tools that ignite their creativity. We hope you enjoy it!”
KEY FEATURES
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AVAILABILITY & PRICING
Product link: www.spitfireaudio.com/aska-matsumiya-crystal-bowls
Available: February 6th, 2024 at 5pm GMT
Price: £79 / $99 / €99
The Japanese, Malibu-based composer, artist and classical pianist is known for her genre-defying works spanning film, television, advertising and music production. She scored Halle Berry’s directorial debut, Bruised, and partnered with A24 and acclaimed director Kogonada on his film After Yang, starring Colin Farrell, in collaboration with composer Ryuichi Sakamoto. In 2022, she scored Steve Buscemi’s film The Listener.
In television, Matsumiya scored HBO skateboarding series Betty with long-time collaborator Crystal Moselle, as well as her 2015 award-winning documentary The Wolfpack. Matsumiya was one of the composers for A24’s Apple TV docu-series, Home, winning the 2023 Daytime Emmy for Outstanding Music Direction and Composition. She also scored K-pop group Blackpink’s 2020 documentary Light Up the Sky.
Matsumiya traces her experimental approach to music to her teenage years, when she dropped out of art school to go touring with punk bands. This renegade approach would imbue Matsumiya with the freedom to go beyond the formal constraints of classical music. “I found freedom in punk because I didn’t realize how much I felt suppressed by classical music – even though I love it.”
Matsumiya has also collaborated with countless brands in the advertising space, including Porsche, Chanel, Hermes & Prada, and her song There Are Many Of Us was used as the main title track for Spike Jonze’s short film, I’m Here. She is currently working on a piano installation and album, and has scored acclaimed fantasy action series, The Spiderwick Chronicles, coming out in Spring 2024.
Spitfire Audio is the leading creator of sounds and sample libraries for music makers, uniting pioneering artists with pioneering sounds and music technology.
Partnering with outstanding affiliates including the world’s most exceptional composers and musicians, celebrated recording studios, Abbey Road and AIR Studios, and the renowned BBC Symphony Orchestra, has cemented Spitfire Audio’s global reputation as the premier music sound library company.
Spitfire Audio records and curates the best sounding virtual instruments, utilizing in-house developed music technology and advanced software devices.
Collaborations with a diverse and eclectic set of award-winning composers and artists range from global icon Hans Zimmer, Iceland’s innovative artist composer Ólafur Arnalds, GRAMMY® Award winning choral composer Eric Whitacre, German/Turkish ethereal pop composer Alev Lenz, influential British producer Trevor Horn and Scotland’s ground-breaking percussionist Dame Evelyn Glennie through to GRAMMY® Award winning artists including Queen’s Roger Taylor, Red Hot Chili Peppers’ Chad Smith, to Nine Inch Nails keyboardist and film composer Charlie Clouser.
Music makers around the globe use Spitfire Audio products in their compositions and through their phenomenal work, research suggests that a major percentage of composers use Spitfire Audio products in their journey to score films and projects, including those who have been nominated for and have won Oscar, Emmy, BAFTA, GRAMMY® or César Awards.
Hollywood Fantasy Orchestra recognized as Best Musical Instrument Software at NAMM 2024
Hollywood, CA (February 1, 2024) – EastWest walked away from the annual NAMM TEC Award ceremony as a winner again this year. For the third time in five years, the software giant has taken home this prestigious award. Their latest instrument, Hollywood Fantasy Orchestra, received the award for Best Musical Instrument Software, a fiercely contested category with many big brand names competing for the title.
The EastWest team broke out in cheers of joy when the announcer proclaimed EastWest Hollywood Fantasy Orchestra as this year’s winner. Multi-award winning Producers Doug Rogers and Nick Phoenix took the stage to receive the award together with Wolfgang Kundrus, Chief Technology Officer, and Blake Rogers, Chief Marketing Officer. Nick Phoenix thanked everyone in his acceptance speech and said: “It’s been an amazing ride with EastWest, being able to create crazy products.”
The TEC Award is only the latest gem in Hollywood Fantasy Orchestra’s crown: This innovative and completely different orchestra has amassed many accolades throughout the composer community. Hollywood Fantasy Orchestra bridges the gap between orchestral and world instruments – perfect for the next big fantasy epic or medieval tale. It features unique ensembles of world instruments, mixed with modern octave-doubled orchestral sections. Many of the instruments have been recorded in trios, creating a powerful and beautiful sparkling stereo image that cuts through any mix, all captured in stereo with surround sound options to create Dolby Atmos and other surround sound formats, plus all the features of EastWest’s revolutionary Opus software.
From left to right: Wolfgang Kundrus, Nick Phoenix, Doug Rogers
About EASTWEST EastWest Sounds (www.soundsonline.com) has been dedicated to perpetual innovation and uncompromising quality of Sample Libraries and Virtual Instruments for 36 years, setting the industry standard as the most critically acclaimed sound developer. Find more about EastWest Sounds at soundsonline.com
Steinberg introduces the IXO family of USB audio interfaces, which offer
high-quality features in a compact, lightweight package for versatile
recording anywhere, at a highly competitive price.
HAMBURG, Germany — Steinberg has today announced the immediate availability of the brand-new IXO series of USB audio interfaces. Comprising the IXO12 and IXO22 models, as well as the IXO Podcast Pack and IXO Recording Pack bundles, the IXO family delivers an exceptionally portable recording, podcasting and streaming platform for Windows, Mac, and iOS.
Available in a choice of black or white finish*, the new, ultra-portable IXO12 and IXO22 interfaces feature two inputs and two outputs, 24-bit/192 kHz support, hardware-based, latency-free input monitoring, and high-speed USB 2.0 via USB-C. Making studio-quality recording, podcasting, and streaming possible in literally any location, IXO interfaces are a full, truly mobile production platform.
The IXO12 features a combo mic/line input with a studio-grade, Class A microphone preamp and a Hi-Z jack input for direct connection of electric guitar or bass, while the IXO22 includes two combo mic/line inputs, both with Class A microphone preamps alongside a Hi-Z input. A front panel gain control for each input is included, as well as switchable +48 V phantom power for condenser microphones and a headphone output. The IXO22 provides an independent volume control for the headphone output . The mute button of each input instantly disables the input signal when streaming or recording. On the rear panel, both units include two 6.3 mm TRS line outputs alongside two USB-C sockets. One is for connection to a Mac or PC computer, iPad or iPhone, the other is for a USB-C power source (when used with iPad or iPhone).
Both the IXO12 and IXO22 feature the easy-to-use Loopback function, which makes high-quality live streaming straightforward, and are equipped with a direct monitor switch. On the IXO22, this can be used to choose between different monitor modes.
The IXO Podcast Pack bundles an IXO12 USB audio interface* with the ST-M01 studio condenser microphone, a high-quality studio mic with a clean, smooth response, exceptional sensitivity, and a wide frequency response. Capturing every detail in excellent quality, it is ideal for recording every nuance of vocals, interviews, acoustic guitar, other instruments, and field recordings. This bundle also includes a microphone pop shield to reduce plosives while recording, a low-noise microphone cable and a tabletop stand for placing the microphone in the best position.
The IXO Recording Pack bundles an IXO22 USB audio interface* with the ST-M01 studio condenser microphone and ST-H01 monitor headphones, which provide an accurate, neutral listening experience, making them perfect for monitoring while recording and creating a final mix. The close-backed design means low bleed levels into the microphone during recording, ideal for singers recording their own vocals. This bundle also includes a low-noise microphone cable.
“We are very excited to introduce the new IXO series, which are the most mobile audio interfaces we have ever made,” says Stefan Schreiber, Steinberg’s senior marketing manager for hardware. “With great-sounding preamps and industry standard conversion in a lightweight yet rugged housing, IXO interfaces are excellent mobile recording partners for everyone who is working with audio. And what’s more, they are available at a truly impressive price point.”
* IXO series interfaces in the IXO Podcast Pack and IXO Recording Pack bundles are only available in black.
Availability and pricing
The IXO series is available immediately from Steinberg authorized resellers, at the following
suggested retail prices: the IXO12 USB audio interface is 129 euros or 119.99 US dollars;
the IXO22 USB audio interface is 189 euros or 169.99 US dollars; the IXO Podcast Pack is
249 euros or 249.99 US dollars; and the IXO Recording Pack is 319 euros or 299.99 US dollars.
Features at a glance
IXO12:
• 24-bit/192 kHz USB-C audio interface with 2 x 2 analog I/O
• One combo input with mute button, Class A mic preamp and phantom power, plus one Hi-Z input
• Compact, lightweight metal casing, with two color options
• Direct monitoring and Loopback function for live internet broadcasting
• Cross-platform compatibility with Windows, macOS and iOS, included Cubase AI and Cubasis LE
IXO22:
• 24-bit/192 kHz USB-C audio interface with 2 x 2 analog I/O
• Two combo inputs with mute button, Class A mic preamps, phantom power, and Hi-Z input
• Compact, lightweight metal casing with two color options
• Direct monitoring and Loopback function for live internet broadcasting
• Cross-platform compatibility with Windows, macOS and iOS, with Cubase AI and Cubasis LE included
IXO Podcast Pack:
• 24-bit / 192 kHz USB-C audio interface with 2 x 2 analog I/O
• One combo input with mute button, Class A mic preamp and phantom power, plus one Hi-Z input
• Latency-free hardware monitoring and headphone output
• ST-M01 studio condenser microphone with low noise cable, tripod stand and pop screen
• Cross-platform compatibility with Windows, macOS, iPad and iPhone. WaveLab Cast, Cubase AI and Cubasis LE software included
IXO Recording Pack:
• 24-bit/192 kHz USB-C audio interface with 2 x 2 analog I/O
• Two combo inputs, with mute button, Class A mic preamps, phantom power, and Hi-Z input
• Latency-free hardware monitoring and separate headphone output
• ST-M01 studio condenser microphone with low-noise microphone cable plus ST-H01 studio monitor headphones
• Cross-platform compatibility with Windows, macOS, iPad and iPhone with Cubase AI, WaveLab LE and Cubasis LE software included.
Links
Product page: www.steinberg.net/ixo
YouTube channel: www.youtube.com/audiointerfaces
About Steinberg Media Technologies GmbH
Steinberg is known the world over for its music and audio software and hardware solutions.
The company has been developing, manufacturing and selling innovative products for musicians and producers in the music, film, post-production and multimedia industries since 1984. Steinberg products are used by Grammy and Oscar award-winning composers, engineers and producers.
Visit www.steinberg.net for further details
